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Item: 126805037778
Condition:UsedUsed
Seller Notes:“Orig Issue C.R.S. Historical Records 10″ 78 rpm record. Condition: Better than EXCELLENT … Read moreabout the seller notes“Orig Issue C.R.S. Historical Records 10″ 78 rpm record. Condition: Better than EXCELLENT pristine , plays E+ EXCEPTIONALLY quiet A SUPERB COPY” Read Lessabout the seller notes
Artist:CLICK RIGHT ARROW > FOR CONDITION, Virgilio Lazzari
Format:Record
Release Title:Don Giovanni Madamina il catalogo è questo
Material:Shellac
Genre:Classical, Opera
Record Label:CRS Historical Records
Record Size:10″
Style:A Capella, Aria, Ars Nova, Ballad, Barcarolle, Canon, Cantata, Canzona, Chorale, Duet, Eastern European Music, Elegy, Film Score/Soundtrack, France & Belgium, French Music & Chansons, German music, Germany & Austria, Italian Music, Lied, Lullaby, Madrigal, Mass, Motet, Musical/Original Cast, Oratorio, Requiem, Russian Music, Spanish Music, Traditional & Vocal, Vocal
Speed:78 RPM
Language:English, French, Italian, Spanish
Catalog Number:52
UPC:Does Not apply
eBay Shipping: All items will be packed safely in a sturdy package for safe shipping. We ship internationally and offer combined shipping for multiple purchases. Expedited, Priority Mail and FedEx shipping available Once payment is received, we ship your item on the next business day. INTERNATIONAL BUYERS: Pls check the shipping tab. Ebay does not display cheapest shipping on top of the listing. Over 1000 Records available. If you plan to buy several records: Click the « ADD TO CART » button. Once you have selected all the records you want, go to Cart and check out. COMBINED SHIPPING will be applied automatically. If shipping seems high: In Cart click REQUEST TOTAL, and I will send you an invoice. A series of great OPERA Records from early G&Ts to World War II recordings on 78 rpm Victrola Records Click this link for more great RICHARD WAGNER Records in my other listings! Click this link for more great Opera and Vocal Records in my other listings! Signed photograph of Virgilio Lazzari, 1919 Italian Bass Virgilio Lazzariin a live recording 1940 at age 60! This may be a radio broadcast aircheck. His most famous role was that of Archibaldo ( Italo Montemezzi’s »L’amore dei tre re »), which he sang first in 1916 in Mexico City and as late as 1953 in Genoa. Although not blessed with a great voice, Lazzari was considered one of the best singing actors in his particular repertory. Virgilio Lazzari – Don Giovanni, « Madamina il catalogo è questo » C.R.S. Historical Records (Jack L. Caidin) CRS 59 Format: Shellac, 10″, 78 RPM Country: US Released: A Don Giovanni, Madamina Part 1 B Don Giovanni, Madamina Part 2 Orig Issue C.R.S. Historical Records 10″ 78 rpm record. Condition: Better than EXCELLENT pristine , plays E+ EXCEPTIONALLY quiet A SUPERB COPY Virgilio Lazzari (20 April 1887, Assisi – 4 October 1953, Castel Gandolfo[1]) was an Italian operatic bass who had an active international performance career from 1908 to 1953. He had lengthy associations with the Chicago Civic Opera (1918–1932) and the Metropolitan Opera (1933–1950), and frequently performed at the Salzburg Festival during the 1930s. He appeared as a guest artist with opera houses internationally, including the Royal Opera House, the Teatro Colón, and the Teatro Carlo Felice among others. Lazzari was particularly known for his performances of Archibaldo in L’amore dei tre re and Leporello in Don Giovanni. In 1943 he created the role of Salomone in the world premiere of Italo Montemezzi’s L’incantesimo. Music critic Harold Rosenthal stated that Lazzari was « one of the best singing actors in his particular repertory ».[1] While working in Chicago he became a naturalized citizen of the United States.[2] His voice is preserved on complete recordings of Giuseppe Verdi’s Rigoletto and Wolfgang Amadeus Mozart’s Don Giovanni which he made with the Metropolitan Opera. Life and career Born in Assisi, Lazzari began his career performing with the Vitale Operetta Company from 1908–1911; making his professional debut as L’Incognito in Franz von Suppé’s Boccaccio.[1][3] He then pursued studies in opera with Antonio Cotogni in Rome before making his first appearance in that city in 1914 at the Teatro Costanzi.[1] He was committed to the Teatro Colón in Buenos Aires for the 1914–1915 season, and appeared at the Municipal Theatre of Santiago in 1915 as Aldobrandino de ‘Rangoni in Mascagni’s Parisina.[3][4] In 1916 Lazzari performed the role of Archibaldo in L’amore dei tre re at the Palacio de Bellas Artes in Mexico City and gave his first appearance in North America in Saint Louis.[3] In 1917 he was committed to the Boston Opera House, and made his New York City debut performing Colline in Giacomo Puccini’s La bohème with Maggie Teyte as Mimi and Luca Botta as Rodolfo at Columbia University to an audience of 2,000 people.[5] Lazzari was a principal artist with the Chicago Opera Association (COA) and the Chicago Civic Opera (CCO) from 1918–1932.[1] He had earlier portrayed Ramfis in the Chicago premiere of Verdi’s Aida with Rosa Raisa in the title role at the Auditorium Building, Chicago, in 1916; a role which he repeated for the grand opening of the Civic Opera House in Chicago in 1919.[3][6] With the COA he sang Archibaldo to Mary Garden’s Fiora in 1920.[7] He performed in several operas opposite Amelita Galli-Curci in Chicago, including Count Rodolfo to Galli-Curci’s Amina in Vincenzo Bellini’s La sonnambula in 1921.[8] He also performed the role of Claudius in the Chicago premiere of Ambroise Thomas’s Hamlet in 1921.[9] In 1925 he performed the role of Don Basilio in Gioachino Rossini’s The Barber of Seville in Paris, and performed the role of Archibaldo to Lucrezia Bori’s Fiora at the Ravinia Festival with the Chicago Symphony Orchestra.[10][11] Other opera roles he sang in Chicago included Sparafucile in Verdi’s Rigoletto, Raimondo Bidebent in Donizetti’s Lucia di Lammermoor, Plunkett in Flotow’s Martha, Figaro in The Marriage of Figaro, and the title role in Boito’s Mefistofele among others.[12][13][14][15][16] From 1933 to 1950 Lazzari was a leading bass at the Metropolitan Opera in New York City.[1] He made his debut at the Metropolitan Opera House on December 28, 1933 as Don Pedro in L’Africaine.[17] Other roles he sang at the Met included Alvise in La Gioconda, Archibaldo, Colline, Count Rodolfo, Don Basilio, Dr. Bartolo in Mozart’s The Marriage of Figaro, Ferrando in Verdi’s Il trovatore, Leporello, Lothario in Mignon by Ambroise Thomas, Oroveso in Bellini’s Norma, the Prefect in Linda di Chamounix, Raimondo Bidebent, Ramfis, Samuel in Verdi’s Un ballo in maschera, Simone in Puccini’s Gianni Schicchi, Sparafucile, Talpa in Puccini’s Il tabarro, and Varlaam in Mussorgsky’s Boris Godunov.[18] His final performance at the Met was as Leporello to Paolo Silveri’s Don Giovanni on December 5, 1950.[19] Lazzari appeared annually at the Salzburg Festival from 1934 to 1939; portraying such roles as Bartolo in The Barber of Seville, Leporello in Don Giovanni, and Pistola in Falstaff. He made his debut at the Royal Opera House in London in 1939 as Leporello in Don Giovanni.[1] In 1943 he sang the role of Salomone in the world premiere of Italo Montemezzi’s L’incantesimo on a radio broadcast with the NBC Symphony Orchestra. One of his final appearances was as Archibaldo at the Teatro Carlo Felice in 1953.[1] Lazzari died on 4 October 1953 at his home in Castel Gandolfo when he was 66 years old.[19] More Great Records on sale right now: CLICK ON THIS LINK TO SEE MORE GREAT RECORDS CLICK ON THIS LINK TO SEE ALL ITEMS – VINTAGE BOOKS, VICTROLA and TURNTABLE ITEMS, CDs, Books and DVDs http://shop.ebay.com/carsten_sf/m.html ==== A Quick NOTE ON GRADING AND SHIPPING: As you can see from my feedback, I try hard to earn your POSITIVE FEEDBACK and FIVE STAR RATINGS. If for any reason your transaction was NOT SATISFACTORY, pls contact me and I will work something out with you. YOU WILL NEVER HAVE A REASON TO GIVE ME A NEGATIVE RATING or a LOW STAR RATING. Quick note on grading: The Grade (Excellent to Poor, I don’t give Mint) refers to the WEAR of the record. Any other defects are stated separately When I listen to a record, I may also give it an aural grade (again E to P), and make a SUBJECTIVE judgment of the pressing quality for hiss and surface noise. « EXCEPTIONALLY QUIET » is close to noiseless, like a vinyl pressing. « VERY QUIET » is an above average quiet record for a given pressing. « Quiet » is a record that is a great example with some noise. These judgments are SUBJECTIVE and will depend one the styli, phonograph etc. you use on your own equipment. Multiple item shipping: I am happy to combine items for shipment in one parcel. Records will be packed safely between corrugated cardboard in a sturdy box with plenty of padding for safe shipment. Shipment is usually Media Mail, unless you request another service. Shipping is at your risk, I will be happy to insure items at your cost. I charge actual postage plus a small handling fee for packing materials As always, I guarantee your satisfaction. If you don’t like the item, just return it, and I will refund the full purchase price. If you are in the San Francisco area, I welcome pick-up in person. I am very happy to ship records worldwide. Please use the EBAY shipping cost as a guideline. As always, I would appreciate any suggestions and corrections from you, pls contact me with any question. Thank you very much, and enjoy these great records!!! Powered by SixBit’s eCommerce Solution
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