FMR No. 11 May 1985, Franco Maria Ricci art magazine, very good condition

$6.5 Buy It Now or Best Offer
free,30-Day Returns

Seller Store bobmen10
(65) 100.0%,

Location: Citrus Heights, California
Ships to: US,
Item: 374232693353

All returns accepted:ReturnsNotAccepted
Publication Name:FMR
Signed:No
ISSN:07476388
Custom Bundle:No
Publisher:Franco Maria Ricci
Publication Month:May
Publication Year:1985
Language:English
Publication Frequency:Monthly
Issue Number:11
Volume:3
Distribution:Paid Circulation
Features:Illustrated
Genre:Art & Photography
Country/Region of Manufacture:Italy
Subscription:Yes
Topic:Art

FMR # 11, Franco Maria Ricci art magazine, May 1985, very good conditionVery enjoyable and very attractive magazine, well worth reading, and well placed on your coffee table when guests visit. Condition: Very good. Almost no wear. No writing or highlighting anywhere in the book. Binding is solid. Pages are tightly bound, flexible, and easily readable, with no yellowing.Issues available: 11 (May 1985), 14 (Sep 1985), 34 (Sep/Oct 1988), 41 (Dec 1989). [Sold and no longer available: 5 (Oct 1984), 10 (Apr 1985), 18 (Feb/Mar 1986), 22 (Oct/Nov 1986), 24 (Jan/Feb 1987), 25 (Mar/Apr 1987), 26 (May/Jun 1987), 35 (Nov/Dec 1988), 39 (Aug 1989)]Let me know if you are ordering multiple items to be shipped together. Buy any books or magazines that normally require shipping with a book that includes free shipping, and get free shipping on the entire batch. Buy any 3 eBay items from me and get free shipping regardless, or discounted shipping if you buy 2 eBay items from me.Contents: Bomarzo, Count Amadeo Preziosi (People of Constantinople), Giovanna Garzoni (The gentle genre), San Quirico Intarsias (The choirstalls of San Quirico)Bomarzo (by Edmund Wilson, Robert Harbison, with a text by Manuel Mujica-Lainez, photography by Massimo Listri): To Andrew Marvell a garden was an earthly paradise: « Annihilating all that’s made / To a green thought in a green shade. » But the garden of Bomarzo in the Roman countryside is a disturbing experience. Gigantic creatures carved from local stone inhabit the grounds, engaging in terrible combat or staring from weedy ponds. Their creator was the sixteenth-century duke, Pier Francesco Orsini, according to legend an embittered hunchback. Edmund Wilson describes his journey to Bomarzo, while Robert Harbison ponders the shifting meanings of a garden in which « derangement is normal and balance impossible. » An excerpt from Manuel Mujica-Lainez’s novel Bomarzo invokes the spirit of Orsini.People of Constantinople (by Charles Newton): In the 1840s Amadeo, fifth Count Preziosi, responded to the lure of the Ottoman Empire, as did many Western Europeans, and settled in Constantinople just in time to record a way of life that was fast disappearing. For the next forty years he produced accurate and sensitive portraits that reflected the enormous cultural diversity of the Empire’s capital. Preziosi’s sympathetic watercolors were supplanted by the invention of photography, but his subjects — staring out at us with their lively, exotic, and yet familiar faces – possess a freshness and truth never captured by the early photographers.The gentle genre (by Silvia Meloni, photography by Massimo Listri): Women painters in the seventeenth century were expected to work in genres considered minor: portrait, still life, miniature – the sort of painting that could be pursued at home. Giovanna Garzoni dutifully produced copies of Raphael and Andrea del Sarto, but her miniature portraits, her renderings of flowers and fruit and animals-often arresting in their severity – still have a fresh presence that explains her immense popularity in her own day and makes her long, subsequent neglect all the more mysterious. The choirstalls of San Quirico (by Federico Zeri, photography by Massimo Listri): The traveler in Italy is first enchanted by the masterpieces of painting that fill her museums and churches. With time he finds other and subtler enchantments: the birds and flowers of semiprecious stones inlaid on tables or the calm line of arches framing a courtyard. To these rarified delights. belong the wooden intarsia choirstalls of San Quirico in Siena. Their workmanship still charms us – the golden finish of the grain, the ingenious perspective, the patient skill with which obdurate wood is made to mimic the fluid curves of plants or curling hair. They were commissioned in 1483 from a Sienese craftsman, but their inventive composition suggests that a master painter furnished the design.

Frequently Asked Questions About FMR No. 11 May 1985, Franco Maria Ricci art magazine, very good condition in My Website

enneadeband.com is the best online shopping platform where you can buy FMR No. 11 May 1985, Franco Maria Ricci art magazine, very good condition from renowned brand(s). enneadeband.com delivers the most unique and largest selection of products from across the world especially from the US, UK and India at best prices and the fastest delivery time.

What are the best-selling FMR No. 11 May 1985, Franco Maria Ricci art magazine, very good condition on enneadeband.com?

Frequently Asked Questions About FMR No. 11 May 1985, Franco Maria Ricci art magazine, very good condition in My Website

What are the best-selling FMR No. 11 May 1985, Franco Maria Ricci art magazine, very good condition on enneadeband.com?

Laisser un commentaire Annuler la réponse