$839.99 Buy It Now or Best Offer
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Seller Store proaudiostar
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Location: Winchester, Virginia
Ships to: US,
Item: 305868019339
Restocking Fee:No
Return shipping will be paid by:Buyer
All returns accepted:Returns Accepted
Item must be returned within:30 Days
Refund will be given as:Money Back
Presonus:Presonus
Type:Broadcast Mixer
DJ GEAR INSTRUMENT GEAR LIVE SOUND RECORDING MICROPHONES HEADPHONES ACCESSORIES SOFTWARE LIGHTING BUNDLES Authorized Dealer PreSonus StudioLive 16.0.2 USB 16×2 Performance and Recording Digital Mixer 16×2 Performance and Recording Digital Mixer – Open Box – Description The ease of analog meets the power of digital. When you’re mixing a live event or have an artist in the studio, you need to be able to work quickly. The StudioLive 16.0.2 USB’s familiar, easy-to-use interface keeps all critical controls visible and accessible —not buried in menus or layers. Our design philosophy is simple: One fader for every mono or stereo channel; one output for every bus. Add to that easily accessed, color-coded function buttons; rotary trim controls; and clearly labeled, individual knobs for EQ and dynamics processing. Aux sends have their own physical controls. Every channel has a big, bright meter display. But don’t let the analog feel fool you: The StudioLive 16.0.2 USB offers the power of modern digital mixing, multitrack recording, wireless remote control. Small size. Bigger possibilities. In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm. You’ll never run out of signal processors. StudioLive 16.0.2 USB mixers provide plenty of DSP power, with no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander, and 3-band semi-parametric EQ on every channel and bus; a highpass filter on each channel; phase reverse for the channel mic preamps; a library of professionally crafted presets; and the ability to save and selectively recall processor settings. A stereo, 31-band graphic EQ sits on the main bus. To top it off, you get two 32-bit delay/reverb effects processors, each with its own dedicated mix bus and a library of useful effects presets. Superior sound. Connect a StudioLive 16.0.2 USB mixer and you’ll instantly hear details and clarity you’d expect to find only in a much more expensive console. StudioLive mixers operate at up to 48 kHz for high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide a best-in-class 118 dB of dynamic range so you’ll catch every high and low with great accuracy and no audible distortion. And our XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound. Recording is in StudioLive 16.0.2 USB’s DNA. The StudioLive 16.0.2 USB’s built-in 18×16 multitrack recording interface is tightly integrated with the rest of the mixer—not an afterthought we tacked on. All 16 channels and the main mix continuously stream to your USB-connected Mac or Windows PC. Each channel can independently access its analog input or its dedicated digital return from your computer. And with StudioLive mixers, recording is simple and easy: Just launch the included, preconfigured Capture™ software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Artist DAW—or any recording software that supports ASIO or Core Audio. Now you can record in the studio or at the gig with equal ease. Dedicated analog connections for predictable signal flow. Take a look at back panel of a StudioLive 16.0.2 USB mixer, and you’ll find the robust connections you’d expect from an analog mixer: balanced mic inputs on each of the 8 mono channels; 8 balanced ¼-inch line inputs; 4 unbalanced RCA line inputs; and dedicated balanced outputs for each of the 4 aux buses and the main stereo bus. Every input channel and bus send has its own dedicated jack—no sharing, no compromises—so you always know what’s flowing from each output. Features/Specs Mac Mac OS X 10.8.5 64-bit or later Intel Core 2 Duo processor (Intel Core i3 or faster recommended) 4 GB RAM (8 GB or more recommended) Windows Windows 7 x64/x86 SP1 + platform update, Windows 8.1 x64/x86, Windows 10 x64/x86 Intel Core 2 Duo (Intel Core i3 or faster recommended) 4 GB RAM (8 GB or more recommended) Mac and Windows Systems USB 2.0 port Internet connection Internal or external 7200 RPM storage drive highly recommended 30 GB hard disk space Monitor with 1366×768 resolution iOS iOS 9.3 or later iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2 Android Android 5.0 (Lollipop) or later Android smartphone (QMix-UC) Android tablet (8-inch) with 1024×768 resolution (UC Surface) Technical Type : XLR Female, Balanced Frequency Response to Direct Output (at unity gain) : 20 Hz-20 kHz, 0 / -0.5 dBu Frequency Response to Main Output (at unity gain) : 20 Hz-20 kHz, ±0.5 dBu Input Impedance (Balanced) : 1 kΩ THD to Direct Output (1 kHz at unity gain) : <0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd THD to Main Output (1 kHz at unity gain) : 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd EIN to Direct Output : +125 dB unwtd, +130 dB A-wtd S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) : -102 dB S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) : -95 dB Common Mode Rejection Ratio (1 kHz at unity gain) : +65 dB Gain Control Range (± 1 dB) : -16 dB to +67 dB Maximum Input Level (unity gain) : +16 dBu Phantom Power (± 2 VDC) : +48 VDC Line Inputs, Balanced Type : ¼" TRS Female, balanced mono Frequency Response to Direct Outputs (at unity gain) : 10 Hz-20 kHz, 0 / -0.5 dBu Frequency Response to Main Outputs (at unity gain) : 20 Hz-20 kHz, 0/-0.5 dBu Input Impedance : 10 kΩ THD to Direct Output (1 kHz at unity gain) : <0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd THD to Main Output (1 kHz at unity gain) : <0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) : -105 dB S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) : -95 dB Gain Control Range (± 1 dB) : -20 dB to +20 dB Maximum Input level (unity gain) : +22 dBu Line Inputs, Unbalanced Type : RCA Female, unbalanced (stereo pair) Maximum Input Level : +22 dBu Main Outputs Type : XLR Male, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair) Rated Output Level : +24 dBu Output Impedance : 100Ω Aux Outputs Type : ¼” TRS Female, balanced (mono) Rated Output Level : +18 dBu Output Impedance : 100Ω Monitor Outputs Type : ¼” TRS Female, balanced (stereo pair) Rated Output Level z : +18 dBu Output Impedance : 100Ω System Crosstalk Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) : -90 dBu Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) : -87 dBu Noise Gate (Expander) Threshold Range : -84 dB to 0 dB Attack Time : Adaptive (0.2 - 2.5 ms) Release Time : 70 ms Expander Attenuation Range : 2:1 Compressor Threshold Range : -56 dB to 0 dB Ratio : 1:1 to 14:1 Response Time (Attack/Release : 0.2 ms / 1.0s (“Tight”) to 180 ms / 1.0s (“Smooth”) Auto Attack and Release : Attack = 10 ms, Release = 150 ms Curve Types : hard and soft knee EQ Type : 2nd-order shelving filter (Q = 0.55) Low (Low-pass or Bandpass) : 36 to 465 Hz, ±15 dB Mid : 260 Hz to 3.5 kHz, ±15 dB High (High-pass or Bandpass) : 1.4 kHz to 18 kHz, ±15 dB Digital Audio Host Interface : USB 2.0 ADC Dynamic Range (A-wtd, 48 kHz) : 118 dB DAC Dynamic Range (A-wtd, 48 kHz) : 118 dB Internal Processing : 32-bit, floating point Sampling Rate : 44.1, 48 kHz A/D/A Bit Depth : 24 bits Reference Level for 0 dBFS : +18 dBu Clock Jitter : <20 ps rms (20 Hz - 20 kHz) Jitter Attenuation : >60 dB (1 ns in ≈ 1 ps out) Power Connector : IEC Input-Voltage Range : 100 to 240 VAC (factory-configured for country of destination) Power Requirements (continuous) : 100W Physical Length : 15.56 inches (397 mm) Width : 16 inches (406 mm) Maximum Height : 5.5 inches (140 mm) We are authorized dealers for all these brands. Click a logo to see our listings. ProAudioStar is also not responsible for any taxes, local duties, or fees outside of the USA and those are not included in the sale price or ship charge. If an item is refused by the buyer, ship costs to and from the destination in which the item was shipped to are not refunded. Please note the cost of return shipping is usually double of what the original ship cost. Shipping is not free to HI, AK, and PR. FREE SHIPPING ONLY TO THE LOWER 48 STATES. We provide free shipping to the contiguous 48 United States, on most items. Shipping fees to ALL OTHER LOCATIONS will be calculated individually and added to customer invoices. ProAudioStar is also not responsible for any taxes, local duties, or fees outside of the USA and those are not included in the sale price or ship charge. In the event that the customer refuses a shipment, all shipping costs to and from the country or State in which the item was shipped to are not refunded. Please note, in some cases return shipping can cost as much as double the original ship cost. We operate a 30-day return period. Items must be returned with all original packaging as well as all included items. Items that are not returned in original, resalable condition are subject to a 15% restocking fee. We charge a 15% restocking fee on returned items only if the item is clearly used and or the packaging is tarnished. A 10% re-stock is more likely if the unit comes back in mint condition. The ship cost we paid to ship your item will be deducted as well. In some cases restock fees and ship costs can be applied as a store credit. We will exchange a defective unit for the same unit within the 30-day period. After that period, you will have to work directly with the manufacturer for warranty service. Items that can not be returned include: software, units with contents or packaging that is damaged/missing, and items that are considered for personal use (such as earphones, headphones, microphones, instrument mouthpieces, harmonicas or other items that you wouldn’t want to purchase if someone else had previously used them). Also, Items which we do not normally stock (i.e. « Special Orders », discontinued products, close-outs, used products, etc.) are non-returnable. We strongly suggest that you check your order after receiving it to be sure that it is in proper working order. Please contact us for a Return Authorization before returning any items.
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