RARE 1907 CARTOON - Prevention of Seditious Meetings Act - INDIA - John Morley

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Location: Milton, Vermont, United States
Ships to: US,
Item: 195530252599

Artist:Edward Linley Sambourne
Type:Print
Year of Production:1907
Item Height:10 1/2 inches
Style:Cartoon
Theme:Politics
Original/Licensed Reprint:Original
Region of Origin:Great Britain
Item Width:8 inches
Subject:Indian Sedition, John Morley

eBay Source: British PUNCH humor/satire magazine, June 5, 1907, original, pulled from the magazine, not a modern reproduction. Image shown is slightly cropped. Illustrated by Edward Linley Sanbourne. Size 8 1/2 x 11″ (approximately) Condition: excellent — bright and clean, no handling or storage wear, ready to frame; backside is blank. THE INDIAN SECRETARY BIRD. Mr. Morley puts his foot on sedition in India. –Secretary of State for India John Morley. –The Prevention of Seditious Meetings Act, 1907 An Act to make better provision for the prevention of public meetings likely to promote sedition or to cause a disturbance of public tranquillity was a 1907 act of the Imperial Legislative Council of the British Raj enabling the government to prohibit political meetings. Over 3,500 Punch cartoons listed for sale (store category « Punch cartoons »), combine orders and save shipping charges. Questions are always welcome. Please use ‘Add to Basket’ instead of ‘Buy now’ if buying more than one so that eBay only charges one lot of postage per order. WHO IS THE ARTIST? Edward Linley Sambourne (4 January 1844 – 3 August 1910) was an English cartoonist and illustrator most famous for being a draughtsman for the satirical magazine Punch for more than forty years and rising to the position of « First Cartoonist » in his final decade. WHAT IS PUNCH? Punch, a magazine of humor and satire, ran from 1841-2002. A very British institution renowned internationally for its wit and irreverence, it helped to coin the term « cartoon » in its modern sense as a humorous illustration. Punch was the world’s most celebrated magazine of wit and satire. From its early years as a campaigner for social justice to its transformation into national icon, Punch played a central role in the formation of British identity — and how the rest of the world saw the British nation. In its formative years Punch combined humors, illustration and political debate with a fresh and radical audacity. During its heyday in the late 1800s, it reflected the conservative views of the growing middle-classes and copies of it could be found in the libraries of diplomats, cabinet ministers and even royalty. In the Western world, Punch played a significant role in the development of satire. In the world of illustration, it practically revolutionized it. Over the decades as it charted the interests, concerns and frustrations of the country and today it stands as an invaluable source of cartoon art, satire, but as primary source material for historians.

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